![]() ![]() Having said that, when scratching they feel a lot nicer and the action of pushing down to engage scratch control feels and sounds a lot less clunky than before. If you are used to the previous S4 then all it takes is a slight adjustment in touch, and the familiar tight engaging control over your music is there. The new look jogwheels, filter knobs and Flux button. This is a welcome and much-requested feature on the S4. They are TRS outputs, switchable between booth and main output, and with a volume knob for when in booth-routing mode. However, the only way to control the level is to fish behind the unit where the volume knob is located, which is actually not that accessible and feels quite recessed not very useful for the constant raising and lowering of the booth monitors as you check the main output level independently. So, at first look it seems strange that you would you use an unbalanced RCA as the master and have a balanced booth out that you have to reach over the back for… but by applying some lateral thinking to this it could actually be a great idea. The booth is adjusted a lot more often than the master in DJ-booth situations the master tending to be more “set and forget” while levels are maintained with gain staging or occasional rises of the master, so although the 1/4″ outs are labelled “booth”, you could actually connect them to your main speakers, controlled via the knob at the back (and this would be a balanced output). ![]()
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